Ⅰ 電影：後天的經典台詞，最好是漢英都有的！！重賞！！
ls的那位，這里我要糾正一個錯誤，《後天》准確的翻譯應該是《明天過後》指的是將來的某一天（所以你別放棄希望了哈!....呵呵,開玩笑的啦.....)
LZ想要台詞的話請到這里(但全是英文...我看不懂啊...sorrry~~~)
http://www.cfannet.com/bbs/dispbbs.asp?boardid=23&id=560
不過我建議LZ如果喜歡收集著部電影的經典台詞的話,可以從DVD上錄下來,或者是把台詞抄下來,雖然有點累,不過對我來說這不算什麼哈(是不是有點自大?因為我有時這樣做...現在..哎..沒時間...)
Ⅱ 急求電影《後天》英文觀後感，翻譯即可
I watched the movie "Day After Tomorrow" has strong feelings. I think this is the advent of catastrophe is not only natural disasters, more importantly, the destruction of human beings to the earth. Warming of the Earth continuously, because of human emissions from non-stop, cut down trees. This is wrong. We must properly protect the earth, a variety of trees, love nature, love animals, do not let the earth be polluted!
行不？
Ⅲ 幫我用英語寫一篇關於介紹電影後天的文章
In director Roland Emmerich's 'Independence Day' (1996), a boffin eventually defeats the space aliens that have wrought explosive havoc all over America (and incidentally the rest of the world) – without provocation. In 'Godzilla' (1998), a boffin eventually defeats the giant iguana that has rampaged through New York City's highrise – but the fact that the lizard's mutation was a proct of exposure to Pacific nuclear testing hinted that humankind was just reaping what it (or at least what the French) had sown. And now in 'The Day After Tomorrow', there is yet more disaster and destruction on a truly massive scale all over America (and incidentally the rest of the world), only this time the enemy is global warming, the starring boffin is unable to do anything to defeat it, and the blame is placed squarely on the shoulders of Western consumerism and blinkered US governance. In other words, Emmerich's delight in sublime catastrophe may be consistent to the point of repetitivene ss, but at least the man is maturing politically.
A sequence of extreme weather conditions (snow in New Delhi, bucket-sized hailstones in Tokyo, spectacular tornadoes in downtown LA) leads palaeoclimatologist Jack Hall (Dennis Quaid) to realise that a new ice age is coming. His son Sam (Jake Gyllenhaal) becomes trapped in New York's Public Library when a tidal wave strikes the city, and is forced to fight rapidly dropping temperatures – and a pack of hungry wolves escaped from the zoo – while Jack and two colleagues attempt the perilous journey from Washington to find him.
'The Day After Tomorrow' has everything you expect from a disaster movie: personal dramas set against apocalyptic mayhem; lots of scenes set in control rooms (with no-one in control); recognisable public monuments being torn apart/flooded/buried under snow/snapfrozen; and episodes so preposterously daft that you just have to love them, as when Jack feels the need to explain the relationship between the North Atlantic current and the world's climate to a room full of meteorological experts, or when Sam and his friends outrun a towering wall of water (and later a fast-moving coldsnap). Silliest of all is the realisation that Jack has undertaken his journey not to save the good burghers of New York, nor even just to save his own son, but rather simply to prove that he can for once keep an appointment – making the final scenes of this film hilariously anticlimactic, as our hero is left with literally nothing to do except grin.
While Emmerich is really only going over visual effects already well covered by films like 'Deep Impact', 'Twister' or even 'Meteor', he comes into his own in battering his viewers with total sensory overload to convey the sheer, overwhelming scale of the devastation. The bass rumble which accompanies the wave rolling through New York is quite simply the most ear-splitting sound ever heard in a cinema, and if the film's cataclysmic, but occasionally ropey, CGI fails to humble you, the soundtrack might just succeed.
It is for its politics, however, that this film is most audacious, as it represents a direct attack on the refusal of the current US administration to rece greenhouse emissions. Even if it is somewhat simplistic, 'The Day After Tomorrow' may have more impact on Bush's stance on the environment than any serious science could, as it terrifies its American viewers into doing something that the British have always enjoyed – talking about the weather.
It's Got: Widespread demolition of American cities beyond al Qaidas wildest dreams; fun environmentalist Bush-ting; neat satirical scenes in which floods of US nationals are forced to cross the Mexican border as illegals; and weather conditions as cold as a brass monkeys proverbials (still, mustnt grumble).
It Needs: To be seen (and heard) in a decent cinema - without its scale, there would be little left but cheese.
Alternatives:
Deep Impact, Meteor, The Twelve Monkeys, Twister
Summary
At last the British get to see a film entirely about the weather.
Ⅳ 我拚命讀書為了將來，誰知道沒有將來! 電影《後天》這句台詞英文怎麼翻譯
I struggle to study for my future.
I do not have future, none the less...
Ⅳ 求電影後天（the day after tomorrow）的幾句經典台詞
Tom:What do you think's gomna happen to us.
Jack:What do you mean?
Tom:I mean us,civilization,everybody.
Jack:Mankind survived the last Ice Age. We're certairly capadle of surviving this one. All depends on whether or not we're able to learn from our mistakes. I sure as hell would lik a chance to learn from mine.
Tom:You did everything you could.
Jack:I was thinking abou Sam.
Tom:Jack,you know the chance of Sam.
Jack:I made my son a promise. I'm going to keep it.
湯姆：你認為的gomna發生在我們身上。
傑克：你是什麼意思？
湯姆：我的意思是我們文明，每個人。
傑克：人類生存上一個冰期。我們certairly capadle生存的這一個。一切都取決於是否我們能夠從錯誤中吸取教訓。我當然會為地獄力的機會，我的學習。
湯姆：你做了一切可以。
傑克：我想，阿布薩姆。
湯姆：傑克，你知道薩姆的機會。
傑克：我把我兒子的承諾。我要保留它。
Ⅵ 英文電影經典語錄摘抄
1. After all, tomorrow is another day!
不管怎樣，明天是新的一天!
2. We become the most familiar strangers.
我們變成了世上最熟悉的陌生人。
3. Later, respectively, wander and suffer sorrow.
今後各自曲折，各自悲哀
4. Land is the only thing in the world worth working for, worth fighting for, worth dying for. Because it』s the only thing that lasts.
土地是世界上唯一值得你去為之工作，為之戰斗，為之犧牲的東西。因為它是唯一永恆的東西。
5. I wish I could be more like you.
我要像你一樣就好了。
6. Whatever comes, I'll love you, just as I do now. Until I die.
無論發生什麼事，我都會像現在一樣愛你,直到永遠。
Ⅶ 《後天》電影里 最後總統的電視講話的英文稿子
These past few weeks have left us all
with a profound sense of humility in the face of nature's
destructive power.
For years, we operated under the belief
that we could continue consuming our planet's natural resources
without consequence.
We were wrong.
I was wrong.
The fact that my first address to you
comes from a consulate on foreign soil is a testament to our changed reality.
Not only Americans but people all around the globe
are now guests in the nations we once called The Third World.
In our time of need,
they have taken us in and sheltered us.
And I am deeply grateful
for their hospitality.
We mourn the loss of a spirited leader
whose courageous order to evacuate.
For days, we've despaired
about the fate of the people who are trapped in the North.
Today, there is cause for hope.
Only a few hours ago, I received word
that a small group of people survived in New York City
against all odds...
and in the face
of tremendous adversity.
I've ordered an immediate
search-and-rescue mission to bring them home
and to look for more survivors.
Ⅷ 災難片<後天>的英文簡介
The Day After Tomorrow 《後天》
starring: Dennis Quaid, Jake Gyllenhaal, Emmy Rossum, Dash Mihok, Jay O Sanders丹尼斯-奎德、傑克-吉倫哈爾、艾米-羅森、莎拉-沃德
director: Roland Emmerich 羅蘭德-艾默里克
studio: 20th Century Fox 發行公司：二十世紀福斯影片公司
級別rating: PG-13
上映時間release date: May 28, 2004
片長runtime: 124 minutes
synopsis 內容大綱
What if we are on the brink of a new Ice Age? This is the question that haunts climatologic Jack Hall. Hall's research indicates that global warming could trigger an abrupt and catastrophic shift in the planet's climate. While Jack warns the White House of the impending climate shift, his 17 year-old son Sam finds himself trapped in New York City where he and some friends have been competing in a high school academic competition. He must now cope with the severe flooding and plummeting temperatures in Manhattan. Having taken refuge inside the Manhattan Public Library, Sam manages to reach his father by phone. Jack only has time for one warning: stay inside at all costs. As full-scale, massive evacuations to the south begin, Jack heads north to New York City to save Sam. But not even Jack is prepared for what is about to happen--to him, to his son, and to his planet.
影片講述溫室效應造成地球氣候異變，全球即將陷入第二次冰河紀的故事。全片匯集了大量頂尖特效，由於影片中氣候異變是先由海水因氣溫急速下降而驟然冰凍，因此包括自由女神、艾菲爾鐵塔、倫敦大笨鍾都將被凍成冰柱，場面極為壯觀。當然除了鋪天蓋地的自然威脅之外，也將細密交織父子及男女之間刻骨銘心的動人情感。
Ⅸ 《後天》英語經典台詞
Sam:Hey,are you all right? You look you have a fever or something.
Laura:I'm fine,I just can't steep. Mymind keeps going over all those worthless decathion facts. It's pretty stupid,huh?
Sam:No,It's all right,I guess you just have't had time to adjust yet.
Laura:How am I supposed to adjust,Sam. Everything I've ever cared about,everything I've worked for has all been preparation for a future that no longer exists. I know you always thought I took the cimpetitive too seriously. you are right. It was all for nothing.
Sam:No,no,I justsaid that to avoid admitting the truth.
Laura:Truth about what?
Sam:About why I joined the team.I joined it because of you.
Tom:What do you think's gomna happen to us.
Jack:What do you mean?
Tom:I mean us,civilization,everybody.
Jack:Mankind survived the last Ice Age. We're certairly capadle of surviving this one. All depends on whether or not we're able to learn from our mistakes. I sure as hell would lik a chance to learn from mine.
Tom:You did everything you could.
Jack:I was thinking abou Sam.
Tom:Jack,you know the chance of Sam.
Jack:I made my son a promise. I'm going to keep it.
H:Gentlemen,to England.
Terry:To mankind.
Dennis:To Manchester United.
H:I just wish I could have seen him grow up. You kown?
Terry:The important thing is he will grow up.
Dennis:Amen.
A:Nietzsche? We can't burn Nietzsche. He was the most important thinker of the 19th century.
B:Please.He was a chauvinist pig in love with his sister.
A:He was not a chauvinist pig.
B:But he was in love with his sister.
C:Excuse me? you guys.Yeah,there's a whole section on tax law down here that we can burn.
Ⅹ 一篇英文電影評論 <<後天>>
1. This movie takes a big-budget, special-effects-filled look at what the world would look like if the greenhouse effect and global warming continued at such levels that they resulted in worldwide catastrophe and disaster, including multiple hurricanes, tornadoes, tidal waves, floods and the beginning of the next Ice Age. At the center of the story is a paleoclimatologist (a scientist who studies the ways weather patterns changed in the past), Professor Jack Hall (Quaid), who tries to save the world from the effects of global warming while also trying to get to his son, Sam (Gyllenhaal), who was in New York City as part of a scholastic competition, when the city was overwhelmed by the chilling beginnings of the new Ice Age. In addition to all of the other challenges Dr. Hall faces, he's also going against the flow as humanity races south to warmer climes, and he's nearly the only one going north...
2. When global warming causes world wide disasters and leads to an ice age, a climatologist named Jack Hall tries to rescue his son Sam who is trapped in New York. Jack must go from Washington D.C. to New York, but on the way some things happen. Can Jack rescue his son?
3. We humans are such sinners. We pillage and plunder our planet's natural resources, carelessly and indignantly burn our fossil fuels, and throw caution to the wind for our wanton irresponsiblity.
Well, to coin a classic phrase, "It's not nice to fool Mother Nature." And she's one broad you don't dare want to mess with, as the disaster-laden THE DAY AFTER TOMORROW attests. In a movie that must have environmentalists and tree huggers worldwide grinning from pierced ear to pierced ear, we humans are forced at last to atone for the sin of global warming--a sin that melts the polar caps and brings on another Ice Age (in about the time it takes to play a baseball game).
Forget the plot. It's worse than bad--it's trite, banal, hackneyed, threadbare, and worn-out all rolled into one. Dennis Quaid is the climatologist who predicts doom but is subsequently ignored by his greedy government; he also has a son who ends up trapped in New York. The beautiful Sela Ward plays the standard this-disaster-epic-must-have-a-female-lead-who-spends-her-time-wringing-her-hands-and-looking-worried-and-then-cries part. Ian Holm, for goodness sake, is Bilbo Baggins, not some Scottish scientist about to go into the deep freeze, and Jake Gyllenhaal, who plays Quaid's and Ward's son, has a constant smirk on his face that I could never figure out.
As I said, forget the plot. This movie's strength is its visual onslaught of destruction and disaster on a global scale--from tornadoes ravaging Los Angeles (Why do LA TV reporters feel compelled to cover a twister a stone's throw away on live TV?) to three cataclysmic "blizzard hurricanes" that devour the Northern Hemisphere. The special effects are well-done, and jarring; seeing a huge tidal wave overtake the Statue of Liberty and then sweep relentlessly into Manhattan (Why didn't Brooklyn and Queens get equal time?) is bone-chilling. Throw in a pack of hungry wolves escaped from the zoo and an eye of each storm that plunges the temperature minus 150 degrees in a matter of seconds, and you've got a virtual kitchen sink of gloom and doom. Our fearless government reluctantly acts; in a huge twist of irony, the U.S. is evacuated, with its citizens streaming into Mexico, and the northern states take on a popsicle effect. It's all great fun to watch.
THE DAY AFTER TOMORROW succeeds on the visual, and fails dismally on everything else. Now I've got to go get my twelve-pack out of the freezer. I want to see what frozen beer tastes like.
4. There's no two ways about it...filmmaker Roland Emmerich really despises New York...three of his last four films depict some level of destruction within the Big Apple. Why does he hate it so? I have no idea, but he also doesn't seem all that found of Los Angeles, either...
The Day After Tomorrow (2004), written, proced and directed by Roland Emmerich stars Dennis Quaid (who'd been having a really decent run of good films, up until now, that is...), and Jake Gyllenhaal, who seems to bounce between really good movies (Donnie Darko) to really lousy ones (Bubble Boy, Highway). Also appearing is Emmy Rossum (who bares a remarkable resemblance, at times, to American Pie's Elizabeth Shannon), Jay O. Sanders (Daylight), Perry King (The Lords of Flatbush), Kenneth Walsh (Miracle), Sela `yowsa, yowsa' Ward, and Ian `Bilbo Baggins' Holm.
Okay...Jack Hall (Quaid) is a paleoclimatologist...what's that, you say? Well, apparently it's someone who studies the weather of the past, using ice core samples from the artic and sophisticated computer programs...more or less a glorified weatherman. During his research, he's found evidence to support the world is soon (soon meaning anywhere from 100 to 1,000 years) heading for another ice age, but no one is taking him too seriously, especially not the haughty Vice President (Walsh), probably e to the fact the weather reports we get on the TV are usually only right about half the time, so why should we jump through hoops for this clown? Surprise, surprise, it turns out Walsh is right (but his timing is way off...typical weatherman) as the poopie hits the fan...big time. Hail the size of footballs in Japan, tornadoes in LA, tide waves and crazy snow in New York (haven't they suffered enough?), all resulting in a global climate change, which doesn't sound all that bad, but basically the entire northern hemisphere is buried under ice and snow...a lot of ice and snow...and temperatures are dropping. Oh why didn't they listen to Hall? The fools...the frozen fools...
I will say this...The Day After Tomorrow sported some of the best special effects I've seen in awhile. The wide scale destruction of major cities was very intense (Irwin Allen, the master of disaster, the man who brought us all those wonderful 70's disaster movie, would have been proud)...also, I thought the acting was passable, which is sad, given the experienced cast involved, but they were just doing what they were told. If I were to rate this film on the special effects alone, it would be five stars, but I have to also consider the other aspects, the story, the dialog and such. It's these elements (or lack of) that ultimately derailed the film, for me at least. Emmerich seems to try and dazzle the audience with glossy special effects in hope we won't put too much thought into all the holes, large and small, that riddle the plot. I remember when I saw Emmerich's Independence Day (1996) for the first time, I was really taken with the film, but subsequent viewings revealed the paper thin construction, allowing the story to collapse in on itself...here, I need not watch the film again as the flimsy nature came through like a sledgehammer to the head...and Emmerich lays on the schmaltzy, maudlin sentimentality, disguised in the form of altruistic self sacrifice and heroism, about as thick as he lays the snows on New York...I would have thought it difficult to top the gushy, slushy, saccharine sweet goo presented in Independence Day, but I was wrong, as here, he turns it into an art form. The dialog was just awful...I was surprised some of the actors managed to get their lines out while keeping a straight face. Also, the dialog was entirely predictable, especially between the pregnant pauses meant to heighten the emotional level for the drivel soon to follow...I actually found myself speaking lines before they were spoken in the film, as it was that obvious as to what was coming. And the film seems inundated with a preachy smugness...yes, we consume fossil fuels and use resources from the Earth, but does that necessarily make us evil and deserving of the scenario played out in this film? I love it when Hollywood, in all of its shallow gloriousness, tries to teach the rest of the world what's wrong with us. This is a big difference between Emmerich and Irwin Allen...Allen made disaster films to engage and entertain, while Emmerich seems to use the medium as a means to tell us the error of our so called destructive ways, and showing the ruinous consequences that result. Ahh, I've stood on my soapbox long enough...here's some scenes to watch for...the one, after New York is frozen, with the homeless man teaching the rich kid, who normally wouldn't have given the filthy man the time of day, how to use newspapers and such to insulate himself by stuffing them in his clothes...can you see the irony here? The homeless, once a burden on our society, have now, after the disaster, found purpose in advising the uninitiated on how to survive, as they've had to do living on the mean streets. Everyone go out and befriend a homeless person now, before it's too late...okay, how about this scene...the kids, now stuck in the Manhattan library after the storm, are scrounging for food, and break into some vending machines. The homeless guy suggests looking in the trash cans, as there's always something to eat in trash cans (yeah, okay...I'll tell you what my stinky friend, I'll eat the potato chips and M&M's and you can have whatever edible, maggot infested morsels you find rummaging in the garbage)...again, infinitely invaluable advice from the homeless...