Ⅰ 這部動漫叫什麼名字來著
獅子王3
該片是《獅子王》的外傳，講述了獅子王辛巴不為人知的成長歷程。當年辛巴的父親木法沙被奸人迫害而死，小辛巴為了躲過一劫，逃離了動物王國。
Ⅱ 動物王國竊案的幕後花絮
猩猩博士：「不好了，發電站的金軸被盜了」
猴探長：」金山金山 我是銀水 我是銀水「
猴子罪犯被關在監獄里總是大叫:我餓，我渴，我要上廁所
還有神秘的老K...
你還能記得這些經典的台詞和人物嗎 ？ 你還能記得這部轟動一時的電視劇嗎？ 警犬米卡米卡犧牲的時候你是不是你曾傷心的落淚，神秘的老k究竟是誰呢......
世界首創、各國電視台爭搶播放，榮獲影視六大獎的動物電視連續劇《猴探長與大盜》與大家見面了。該片真動物、演人戲、千真萬確，不是三維動畫，勝過三維動畫，是世界第一部由動物扮演的電視劇。
《動物王國竊案》這部劇中敘述了多宗盜竊案的偵破經過，故事曲折，情節生動，懸念又疊起，引人入勝。中國雜技團、上海雜技團、湖南衡陽環球雜技團、沈陽動物園馬戲隊、深圳野生動物園、福州動物園馬戲隊、安徽宿縣馬戲團、武漢動物園等二十餘家動物表演團的「動物演員」參加了演出。「演員」們「塑造」了許多生動、可愛的「 人物形象」。
Ⅲ 一部老電視劇「土豆土豆我是地瓜」
〈愛情偵探〉~~是小時候看的了，上網時也沒查到這個電視劇的資料，連個劇照都少~~其中有一個叫橘子的女孩，一個叫素素的女孩，橘子愛吃奶糖，素素愛喝酸奶，還有叫土豆，地瓜的，真是搞笑死了……歌曲：下雨了，下大了，小貓小狗打架了……
Ⅳ 英語電影里的經典台詞，要標明是出自於哪部電影，中英對照。
1一《Shawshank Redemption 肖申克的救贖》
.You know some birds
are not meant to be caged , their
feathers are just too bright.
你知道，有些鳥兒是註定不會被關在牢籠里的，它們的每一片羽毛都閃耀著自由的光輝。
2.There is something
inside ,that they can't get to , that they can't touch. That's
yours.
那是一種內在的東西, 他們到達不了,也無法觸及的,那是你的。
3.Hope is a good thing
and maybe the best of things. And no good thing ever dies.
希望是一個好東西,也許是最好的,好東西是不會消亡的。
二《Forrest Gump 阿甘正傳》
1.Life was like a box
of chocolates, you never know what you're gonna get.
生命就像一盒巧克力，結果往往出人意料。
2.Stupid is as stupid
does.
蠢人做蠢事，也可理解為傻人有傻福。
3.Miracles happen
every day.
奇跡每天都在發生。
4.Jenny and I was like
peas豌豆 and
carrots 胡蘿卜.
我和珍妮形影不離。
5.Have you given any
thought to your future?
你有沒有為將來打算過呢。
6． You just stay away
from me please.
求你離開我。
7． If you are ever in
trouble, don't try to be brave, just run, just run away.
你若遇上麻煩，不要逞強，你就跑，遠遠跑開。
8． It made me look like
a ckn.鴨，鴨肉 v.忽地低下頭(或彎腰)，躲避
in water.
它讓我如魚得水。
9． Death is just a part
of life, something we're all destined to do.
死亡是生命的一部分，是我們註定要做的一件事。
10． I was messedn.臟亂狀態；困境 vt.弄糟，弄臟，搞亂
up for a long time.
這些年我一塌糊塗。
11． I don't know if we
each have a destiny, or if we're all just floating around accidentally―like on
a breeze.
我不懂我們是否有著各自的命運，還是只是到處隨風飄盪
三《The Lion King獅子王》
1. Everything you see
exists together in a delicate 易碎的；微妙的；嬌弱的；精美的balance.
世界上所有的生命都在微妙的平衡中生存。
2. I laugh in the face
of danger.
越危險就越合我心意。
3. I'm only brave when
I have to be. Being brave doesn't mean you go looking for trouble.
我只是在必要的時候才會勇敢，勇敢並不代表你要到處闖禍。
4. When the
world turns its back on you, you turn your back on the world.
如果這個世界對你不理不睬，你也可以這樣對待它。
5. It's like you are
back from the dead.
好像你是死而復生似的。
6. You can't change
the past.
過去的事是不可以改變的。
7. Yes, the past can
hurt. But I think you can either run from it or learn from it. 對，過去是痛楚的，但我認為你要麼可以逃避，要麼可以向它學習。
8. This is my kingdom.
If I don't fight for it, who will?
這是我的國土，我不為她而戰斗，誰為呢？
9. Why should I
believe you? Everything you ever told me was a lie.
我為何要相信你？你所說的一切都是謊話。
10. I'll make it
up to you, I promise.
我會補償你的，我保證。
四《Gone with The Wind 亂世佳人》
1.Land is the only
thing in the world worth working for, worth fighting for, worth dying for.
Because it's the only thing that lasts.
土地是世界上唯一值得你去為之工作, 為之戰斗, 為之犧牲的東西,因為它是唯一永恆的東西。
2.I wish I could be
more like you.
我要像你一樣就好了。
3.Whatever
comes, I'll love you, just as I do now. Until I die.
無論發生什麼事,我都會像現在一樣愛你,直到永遠
4.I think it's hard
winning a war with words.我認為紙上談兵沒什麼作用。
5. Sir, you're no
gentleman. And you miss are no lady.
先生,你可真不是個君子,小姐,你也不是什麼淑女。
6.I never give
anything without expecting something in return. I always get paid.
我做任何事不過是為了有所回報,我總要得到報酬。
7.In spite of
you and me and the whole silly a.傻的，糊塗的
world going to pieces around us, I love you.
哪怕是世界末日我都會愛著你。
8.I love you more than
I've ever loved any woman. And I've waited longer for you than I've waited for
any woman.
此句只可意會不可言傳。。。。。
9.If I have to lie,
steal, cheat or kill, as God as my witness, I'll never be hungry again!
即使讓我撒謊,去偷,去騙,去殺人,上帝作證,我再也不要挨餓了。
10.Now I find myself
in a world which for me is worse than death. A world in which there is no place
for me.
現在我發現自己活在一個比死還要痛苦的世界,一個無我容身之處的世界。
11.You're throwing
away happiness with both hands. And reaching out for something that will never
make you happy.
你把自己的幸福拱手相讓,去追求一些根本不會讓你幸福的東西。
12.Home. I'll go home.
And I'll think of some way to get him back. After all, tomorrow is another day.
家,我要回家.我要想辦法讓他回來.不管怎樣,明天又是全新的一天。
五《TITANIC泰坦尼克號》
1.Outwardly, I was
everything a well-brought up girl should be. Inside, I was screaming.
外表看,我是個教養良好的小姐,骨子裡,我很反叛.
2.We're the
luckiest sons-of-bitches in the world.
我們是真他媽的走運極了.(地道的美國國罵)
3.There is nothing I
couldn't give you, there is nothing I would deny you, if you would not deny me.
Open you're heart to me.
如果你不違背我,你要什麼我就能給你什麼,你要什麼都可以.把你 的心交給我吧.
4.What the purpose of
university is to find a suitable husband.
讀大學的目的是找一個好丈夫.(好像有些片面,但比較真實)
5.Remember, they love
money, so just pretend like you own a goldmine and you're in the club.
只要你裝得很有錢的樣子他們就會跟你套近乎。
6.All life is a game
of luck.
生活本來就全靠運氣。
7.I love waking up in
the morning and not knowing what's going to happen, or who I'm going to meet,
where I'm going to wind up.
我喜歡早上起來時一切都是未知的,不知會遇見什麼人,會有什麼樣的結局。
8.I figure life is a
gift and I don't intend on wasting it. You never know what hand you're going to
get dealt next. You learn to take life as it comes at you. 我覺得生命是一份禮物,我不想浪費它,你不會知道下一手牌會是什麼,要學會接受生活。
9.To make each day
count.
要讓每一天都有所值。
10.We're women. Our
choices are never easy.
我們是女人,我們的選擇從來就不易。
11.You jump, I jump.
(another touching
sentence)
12.Will you give us a
chance to live?
能不能給我們留一條生路?
13.God shall
wipe away all the tears from their eyes, and there shall be no more death.
Neither shall there be sorrow or dying, neither shall there be any more pain,
for the former world has passed away.
上帝擦去他們所有的眼淚.死亡不再有,也不再有悲傷和生死離別,不再有痛苦,因往事已矣.
六《Sleepless in Seattle西雅圖不眠夜》
1.Work hard! Work will
save you. Work is the only thing that will see you through this.
努力工作吧!工作能拯救你.埋頭苦幹可令你忘記痛楚.
2.You make millions of
decisions that mean nothing and then one day your order takes out and it
changes your life.
你每天都在做很多看起來毫無意義的決定,但某天你的某個決定就能改變你的一生.
3.Destiny takes a
hand.命中註定.
4.You know, you
can tell a lot from a person's voice.
從一個人的聲音可以知道他是怎樣的人.
5.People who truly
loved once are far more likely to love again.
真愛過的人很難再戀愛.
6.You know it's easier
to get killed by a terrorist than get married over the age of 40.
你知道,女人過了40想出嫁就難了,被恐怖分子殺死都比這容易.
7.You are the most
attractive man I ever laid ears.
你是我聽過的最帥的男士.
8.Why would you
want to be with someone who doesn't love you?
為什麼留戀一個不愛你的人?
9.When you're
attracted to someone it just means that your subconscious is attracted to their
subconscious, subconsciously. So what we think of as fate, is just two neuroses
knowing they're a perfect match.
當你被某個人吸引時,那隻是意味著你倆在潛意識里相互吸引.因此,所謂命運,就只不過是兩個瘋子認為他們自己是天造一對,地設一雙.
10.Everybody panics
before they get married.每個人婚前都會緊張的.
11.Your destiny can be
your doom.命運也許會成為厄運.
12.The reason I
know this and you don't is because I'm younger and pure. So I'm more in touch
with cosmic forces.
之所以我知道而你不知道是因為我年幼純潔,所以我比較能接觸宇宙的力量.
13.I don't want to be
someone that you're settling for. I don't want to be someone that anyone
settles for.
我不想要你將就,我也不想成為將就的對象.
14.What if something
had happened to you? What if I couldn't get to you? What would I have done
without you? You're my family. You're all I've got.
要是你出了事怎麼辦?要是我找不到你怎麼辦?如果沒有你我該怎麼辦?你是我的家人,你是我的一切.
七《GARFIELD加菲貓》
1. Money is not
everything. There's MasterCard.
鈔票不是萬能的, 有時還需要信用卡。
2. One should love
animals. They are so tasty.
每個人都應該熱愛動物, 因為它們很好吃。
3. Save water. Shower
with your girlfriend.
要節約用水, 盡量和女友一起洗澡。
4. Love the
neighbor. But don't get caught.
要用心去愛你的鄰居, 不過不要讓她的老公知道。
5. Behind every
successful man, there is a man. And behind every unsuccessful man, there are
two.
每個成功男人的背後, 都有一個女人. 每個不成功男人的背後, 都有兩個。
6. Every man
should marry. After all, happiness is not the only thing in life.<br/>再快樂的單身漢遲早也會結婚, 幸福不是永久的嘛。
7. The wise never
marry, and when they marry they become otherwise.
聰明人都是未婚? 結婚的人很難再聰明起來。
8. Success is a
relative term. It brings so many relatives.
成功是一個相關名詞, 他會給你帶來很多不相關的親戚 (聯系)
9. Love is photogenic.
It needs darkness to develop.
愛情就象照片, 需要大量的暗房時間來培養。
10. Children in
backseats cause accidents. Accidents in backseats cause children.
後排座位上的小孩會生出意外, 後排座位上的意外會生出小孩。
11. Your future
depends on your dreams. So go to sleep.
現在的夢想決定著你的將來, 所以還是再睡一會吧
12. There should
be a better way to start a day than waking up every morning.
應該有更好的方式開始新一天, 而不是千篇一律的在每個上午都醒來。
13. Hard work never
killed anybody. But why take the risk?
努力工作不會導致死亡! 不過我不會用自己去證明。
14. Work
fascinates me. I can look at it for hours!
工作好有意思耶! 尤其是看著別人工作。
15. God made
relatives; Thank God we can choose our friends.
神決定了誰是你的親戚, 幸運的是在選擇朋友方面他給了你留了餘地
Ⅳ 求一個經典英語電影片段的對話
值得背的電影台詞
一《Shawshank Redemption肖申克的救贖》
1.You know some birdsare not meant to be caged, their feathers are just too bright.
你知道，有些鳥兒是註定不會被關在牢籠里的，它們的每一片羽毛都閃耀著自由的光輝。
2.There is something inside ,that they can't get to , that they can't touch.That's yours.
那是一種內在的東西, 他們到達不了,也無法觸及的,那是你的。
3.Hope is a good thing and maybe the best of things. And no good thing everdies.
希望是一個好東西,也許是最好的,好東西是不會消亡的。
二《Forrest Gump 阿甘正傳》
1.Life was like a box of chocolates, you never know what you're gonna get.
生命就像一盒巧克力，結果往往出人意料。
2.Stupid is as stupid does.
蠢人做蠢事（也可理解為傻人有傻福)。
3.Miracles happen every day.
奇跡每天都在發生。
4.Jenny and I was like peas and carrots.
我和珍妮形影不離。
5.Have you given any thought to your future?
你有沒有為將來打算過呢?
6.You just stay away from me please.
求你離開我。
7.If you are ever in trouble, don't try to be brave, just run, just run away.
你若遇上麻煩，不要逞強，你就跑，遠遠跑開。
8.It made me look like a ck in water.
它讓我如魚得水。
9.Death is just a part of life, something we're all destined to do.
死亡是生命的一部分，是我們註定要做的一件事。
10.I was messed up for a long time.
這些年我一塌糊塗。
11.I don't know if we each have a destiny, or if we're all just floating aroundaccidentally——like on a breeze.
我不懂我們是否有著各自的命運，還是只是到處隨風飄盪。
三《The Lion King獅子王》
1.Everything you see exists together in a delicate balance.
世界上所有的生命都在微妙的平衡中生存。
2.I laugh in the face of danger.
越危險就越合我心意。
3.I'm only brave when I have to be. Being brave doesn't mean you go looking fortrouble.
我只是在必要的時候才會勇敢，勇敢並不代表你要到處闖禍。
4.When the world turns its back on you, you turn your back on the world.
如果這個世界對你不理不睬，你也可以這樣對待它。
5.It's like you are back from the dead.
好像你是死而復生似的。
6.You can't change the past.
過去的事是不可以改變的。
7.Yes, the past can hurt. But I think you can either run from it or learn fromit.
對，過去是痛楚的，但我認為你要麼可以逃避，要麼可以向它學習。
8.This is my kingdom. If I don't fight for it, who will?
這是我的國土，我不為她而戰斗，誰為呢？
9.Why should I believe you? Everything you ever told me was a lie.
我為何要相信你？你所說的一切都是謊話。
10.I'll make it up to you, I promise.
我會補償你的，我保證。
四《Gone with The Wind 亂世佳人》
1.Land is the only thing in the world worth working for, worth fighting for,worth dying for. Because it is the only thing that lasts.
土地是世界上唯一值得你去為之工作, 為之戰斗, 為之犧牲的東西,因為它是唯一永恆的東西。
2.I wish I could be more like you.
我要像你一樣就好了。
3.Whatever comes, I'll love you, just as I do now. Until I die.
無論發生什麼事,我都會像現在一樣愛你,直到永遠。
4.I think it's hard winning a war with words.
我認為紙上談兵沒什麼作用。
5. Sir, you're no gentleman. And you miss are no lady.
先生,你可真不是個君子,小姐,你也不是什麼淑女。
6.I never give anything without expecting something in return. I always getpaid.
我做任何事不過是為了有所回報,我總要得到報酬。
7.In spite of you and me and the whole silly world going to pieces around us, Ilove you.
哪怕是世界末日我都會愛著你。
8.I love you more than I've ever loved any woman. And I've waited longer foryou than I've waited for any woman.
9.If I have to lie, steal, cheat or kill, as God as my witness, I'll never behungry again!
即使讓我撒謊,去偷,去騙,去殺人,上帝作證,我再也不要挨餓了！
10.Now I find myself in a world which for me is worse than death. A world inwhich there is no place for me.
現在我發現自己活在一個比死還要痛苦的世界,一個無我容身之處的世界。
11.You're throwing away happiness with both hands. And reaching out forsomething that will never make you happy.
你把自己的幸福拱手相讓,去追求一些根本不會讓你幸福的東西。
12.Home. I'll go home. And I'll think of some way to get him back. After all,tomorrow is another day.
家,我要回家。我要想辦法讓他回來。不管怎樣,明天又是全新的一天。
五《TITANIC泰坦尼克號》
1.Outwardly, I was everything a well-brought up girl should be. Inside, I wasscreaming.
外表看,我是個教養良好的小姐,骨子裡,我很反叛。
2.We're the luckiest sons-of-bitches in the world.
我們是真他媽的走運極了。(地道的美國國罵)
3.There is nothing I couldn't give you, there is nothing I would deny you, ifyou would not deny me. Open you're heart to me.
如果你不違背我,你要什麼我就能給你什麼,你要什麼都可以。把你的心交給我吧。
4.What the purpose of university is to find a suitable husband.
讀大學的目的是找一個好丈夫。
5.Remember, they love money, so just pretend like you own a goldmine and you'rein the club.
只要你裝得很有錢的樣子他們就會跟你套近乎。
6.All life is a game of luck.
生活本來就全靠運氣。
7.I love waking up in the morning and not knowing what's going to happen, orwho I'm going to meet, where I'm going to wind up.
我喜歡早上起來時一切都是未知的,不知會遇見什麼人,會有什麼樣的結局。
8.I figure life is a gift and I don't intend on wasting it. You never know whathand you're going to get dealt next. You learn to take life as it comes at you.
我覺得生命是一份禮物,我不想浪費它,你不會知道下一手牌會是什麼,要學會接受生活。
9.To make each day count.
要讓每一天都有所值。
10.We're women. Our choices are never easy.
我們是女人,我們的選擇從來就不易。
11.You jump, I jump.
12.Will you give us a chance to live?
能不能給我們留一條生路?
13.God shall wipe away all the tears from their eyes, and there shall be nomore death. Neither shall there be sorrow or dying, neither shall there be anymore pain, for the former world has passed away.
上帝擦去他們所有的眼淚.死亡不再有,也不再有悲傷和生死離別,不再有痛苦,因往事已矣。
六《Sleepless in Seattle西雅圖不眠夜》
1.Work hard! Work will save you. Work is the only thing that will see youthrough this.
努力工作吧!工作能拯救你。埋頭苦幹可令你忘記痛楚。
2.You make millions of decisions that mean nothing and then one day your ordertakes out and it changes your life.
你每天都在做很多看起來毫無意義的決定,但某天你的某個決定就能改變你的一生。
3.Destiny takes a hand.
命中註定。
4.You know, you can tell a lot from a person's voice.
從一個人的聲音可以知道他是怎樣的人。
5.People who truly loved once are far more likely to love again.
真愛過的人很難再戀愛。
6.You know it's easier to get killed by a terrorist than get married over theage of 40.
你知道,女人過了40想出嫁就難了,被恐怖分子殺死都比這容易。
7.You are the most attractive man I ever laid ears.
你是我聽過的最帥的男士。
8.Why would you want to be with someone who doesn't love you?
為什麼留戀一個不愛你的人?
9.When you are attracted to someone it just means that your subconscious is attractedto their subconscious, subconsciously. So what we think of as fate, is just twoneuroses knowing they are a perfect match.
當你被某個人吸引時,那隻是意味著你倆在潛意識里相互吸引。因此,所謂命運,就只不過是兩個瘋子認為他們自己是天造一對,地設一雙。
10.Everybody panics before they get married.
每個人婚前都會緊張的。
11.Your destiny can be your doom.
命運也許會成為厄運。
12.The reason I know this and you don't is because I'm younger and pure. So I'mmore in touch with cosmic forces.
之所以我知道而你不知道是因為我年幼純潔,所以我比較能接觸宇宙的力量。
13.I don't want to be someone that you're settling for. I don't want to besomeone that anyone settles for.
我不想要你將就,我也不想成為將就的對象。
14.What if something had happened to you? What if I couldn't get to you? Whatwould I have done without you? You're my family. You're all I've got.
要是你出了事怎麼辦?要是我找不到你怎麼辦?如果沒有你我該怎麼辦?你是我的家人,你是我的一切。
七《GARFIELD加菲貓》
1.Money is not everything. There's MasterCard.
鈔票不是萬能的, 有時還需要信用卡。
2.One should love animals. They are so tasty.
每個人都應該熱愛動物, 因為它們很好吃。
3.Save water. Shower with your girlfriend.
要節約用水, 盡量和女友一起洗澡。
4.Love the neighbor. But don't get caught.
要用心去愛你的鄰居, 不過不要讓她的老公知道。
5.Behind every successful man, there is a woman. And behind every unsuccessfulman, there are two.
每個成功男人的背後, 都有一個女人. 每個不成功男人的背後, 都有兩個。
6.Every man should marry. After all, happiness is not the only thing in life.
再快樂的單身漢遲早也會結婚, 幸福不是永久的嘛。
7.The wise never marry, and when they marry they become otherwise.
聰明人都是未婚，結婚的人很難再聰明起來。
8.Success is a relative term. It brings so many relatives.
成功是一個相關名詞, 他會給你帶來很多不相關的聯系。
9.Love is photogenic. It needs darkness to develop.
愛情就象照片, 需要大量的暗房時間來培養。
10.Children in backseats cause accidents. Accidents in backseats causechildren.
後排座位上的小孩會生出意外, 後排座位上的意外會生出小孩。
11.Your future depends on your dreams. So go to sleep.
現在的夢想決定著你的將來, 所以還是再睡一會吧。
12.There should be a better way to start a day than waking up every morning.
應該有更好的方式開始新一天, 而不是千篇一律的在每個上午都醒來。
13.Hard work never killed anybody. But why take the risk?
努力工作不會導致死亡。那麼為什麼我還要去實踐？
14.Work fascinates me. I can look at it for hours!
工作很有意思。尤其是看著別人工作！
15.God made relatives; Thank God we can choose our friends.
神決定了誰是你的親戚, 幸運的是在選擇朋友方面他給了你留了餘地。
Ⅵ 你知道一部電影叫什麼之旅的 外國的 是說4個小孩子通過個櫃子進入動物王國最後打敗冰雪女王什麼的 成了國
MY GOD，這是The Chronicles of Narnia: The Lion, the Witch and the Wardrobe，國內翻譯成納尼亞傳奇第一部，「獅子，女巫和衣櫥」。 納尼亞傳奇分很多集，最初是一位英國女作家寫的兒童小說，後來英國拍過電影系列片，很老版的，沒有現在翻拍的好看。個人感覺原版小說和現在拍的電影比哈利波特強，和指環王有一拼。納尼亞傳奇的第二部是「凱斯賓王子」（The Chronicles of Narnia: Prince Caspian ），第三部是「黎明踏浪號」（The Chronicles of Narnia: The Voyage of the Dawn Treader ）。個人覺得第一部是拍得最好的，第三部最不好，還沒有幾十年前拍的那個版本感人。
Ⅶ 請提供假如給我三天光明，麥田裡的守望者，老人與海的原版英文經典語句
最喜歡這一段
Most of us, however, take life for granted. We know that one day we must die, but usually we picture that day as far in the future. When we are in buoyant health, death is all but unimaginable. We seldom think of it. The days stretch out in an endless vista. So we go about our petty tasks, hardly aware of our listless attitude toward life.
by Hellen Keller
以下是全文
假如給我三天光明(海倫·凱勒 Helen Keller)
All of us have read thrilling stories in which the hero had only a limited and specified time to live. Sometimes it was as long as a year; sometimes as short as twenty-four hours. But always we were interested in discovering just how the doomed man chose to spend his last days or his last hours. I speak, of course, of free men who have a choice, not condemned criminals whose sphere of activities is strictly delimited.
Such stories set us thinking, wondering what we should do under similar circumstances. What events, what experiences, what associations should we crowd into those last hours as mortal beings? What happiness should we find in reviewing the past, what regrets?
Sometimes I have thought it would be an excellent rule to live each day as if we should die tomorrow. Such an attitude would emphasize sharply the values of life. We should live each day with a gentleness, a vigor, and a keenness of appreciation which are often lost when time stretches before us in the constant panorama of more days and months and years to come. There are those, of course, who would adopt the Epicurean motto of "Eat, drink, and be merry," but most people would be chastened by the certainty of impending death.
In stories the doomed hero is usually saved at the last minute by some stroke of fortune, but almost always his sense of values is changed. he becomes more appreciative of the meaning of life and its permanent spiritual values. It ahs often been noted that those who live, or have lived, in the shadow of death bring a mellow sweetness to everything they do.
Most of us, however, take life for granted. We know that one day we must die, but usually we picture that day as far in the future. When we are in buoyant health, death is all but unimaginable. We seldom think of it. The days stretch out in an endless vista. So we go about our petty tasks, hardly aware of our listless attitude toward life.
The same lethargy, I am afraid, characterizes the use of all our faculties and senses. Only the deaf appreciate hearing, only the blind realize the manifold blessings that lie in sight. Particularly does this observation apply to those who have lost sight and hearing in alt life. But those who have never suffered impairment of sight or hearing seldom make the fullest use of these blessed faculties. Their eyes and ears take in all sights and sounds hazily, without concentration and with little appreciation. It is the same old story of not being grateful for what we have until we lose it, of not being conscious of health until we are ill.
I have often thought it would be a blessing if each human being were stricken blind and deaf for a few days at some time ring his early alt life. Darkness would make him more appreciative of sight; silence would tech him the joys of sound.
Now and then I have tested my seeing friends to discover what they see. Recently I was visited by a very good friends who had just returned from a long walk in the woods, and I asked her what she had observed.. "Nothing in particular, " she replied. I might have been increlous had I not been accustomed to such reposes, for long ago I became convinced that the seeing see little.
How was it possible, I asked myself, to walk for an hour through the woods and see nothing worthy of note? I who cannot see find hundreds of things to interest me through mere touch. I feel the delicate symmetry of a leaf. I pass my hands lovingly about the smooth skin of a silver birch, or the rough, shaggy bark of a pine. In the spring I touch the branches of trees hopefully in search of a bud the first sign of awakening Nature after her winter's sleep. I feel the delightful, velvety texture of a flower, and discover its remarkable convolutions; and something of the miracle of Nature is revealed to me. Occasionally, if I am very fortunate, I place my hand gently on a small tree and feel the happy quiver of a bird in full song. I am delighted to have the cool waters of a brook rush thought my open finger. To me a lush carpet of pine needles or spongy grass is more welcome than the most luxurious Persian rug. To me the page ant of seasons is a thrilling and unending drama, the action of which streams through my finger tips.
At times my heart cries out with longing to see all these things. If I can get so much pleasure from mere touch, how much more beauty must be revealed by sight. Yet, those who have eyes apparently see little. the panorama of color and action which fills the world is taken for granted. It is human, perhaps, to appreciate little that which we have and to long for that which we have not, but it is a great pity that in the world of light the gift of sight is used only as a mere conveniences rather than as a means of adding fullness to life.
If I were the president of a university I should establish a compulsory course in "How to Use Your Eyes". The professor would try to show his pupils how they could add joy to their lives by really seeing what passes unnoticed before them. He would try to awake their dormant and sluggish faculties.
Perhaps I can best illustrate by imagining what I should most like to see if I were given the use of my eyes, say, for just three days. And while I am imagining, suppose you, too, set your mind to work on the problem of how you would use your own eyes if you had only three more days to see. If with the on-coming darkness of the third night you knew that the sun would never rise for you again, how would you spend those three precious intervening days? What would you most want to let your gaze rest upon?
I, naturally, should want most to see the things which have become dear to me through my years of darkness. You, too, would want to let your eyes rest on the things that have become dear to you so that you could take the memory of them with you into the night that loomed before you.
If, by some miracle, I were granted three seeing days, to be followed by a relapse into darkness, I should divide the period into three parts.
The First Day
On the first day, I should want to see the people whose kindness and gentleness and companionship have made my life worth living. First I should like to gaze long upon the face of my dear teacher, Mrs. Anne Sullivan Macy, who came to me when I was a child and opened the outer world to me. I should want not merely to see the outline of her face, so that I could cherish it in my memory, but to study that face and find in it the living evidence of the sympathetic tenderness and patience with which she accomplished the difficult task of my ecation. I should like to see in her eyes that strength of character which has enabled her to stand firm in the face of difficulties, and that compassion for all humanity which she has revealed to me so often.
I do not know what it is to see into the heart of a friend through that "Window of the soul", the eye. I can only "see" through my finger tips the outline of a face. I can detect laughter, sorrow, and many other obvious emotions. I know my friends from the feel of their faces. But I cannot really picture their personalities by touch. I know their personalities, of course, through other means, through the thoughts they express to me, through whatever of their actions are revealed to me. But I am denied that deeper understanding of them which I am sure would come through sight of them, through watching their reactions to various expressed thoughts and circumstances, through noting the immediate and fleeting reactions of their eyes and countenance.
Friends who are near to me I know well, because through the months and years they reveal themselves to me in all their phases; but of casual friends I have only an incomplete impression, an impression gained from a handclasp, from spoken words which I take from their lips with my finger tips, or which they tap into the palm of my hand.
How much easier, how much more satisfying it is for you who can see to grasp quickly the essential qualities of another person by watching the subtleties of expression, the quiver of a muscle, the flutter of a hand. But does it ever occur to you to use your sight to see into the inner nature of a friends or acquaintance/ Do not most of you seeing people grasp casually the outward features of a face and let it go at that?
For instance can you describe accurately the faces of five good friends? some of you can, but many cannot. As an experiment, I have questioned husbands of long standing about the color of their wives' eyes, and often they express embarrassed confusion and admit that they do not know. And, incidentally, it is a chronic complaint of wives that their husbands do not notice new dresses, new hats, and changes in household arrangements.
The eyes of seeing persons soon become accustomed to the routine of their surroundings, and they actually see only the startling and spectacular. But even in viewing the most spectacular sights the eyes are lazy. Court records reveal every day how inaccurately "eyewitnesses" see. A given event will be "seen" in several different ways by as many witnesses. Some see more than others, but few see everything that is within the range of their vision.
Oh, the things that I should see if I had the power of sight for just three days!
The first day would be a busy one. I should call to me all my dear friends and look long into their faces, imprinting upon my mind the outward evidences of the beauty that is within them. I should let my eyes rest, too, on the face of a baby, so that I could catch a vision of the eager, innocent beauty which precedes the indivial's consciousness of the conflicts which life develops.
And I should like to look into the loyal, trusting eyes of my dogs - the grave, canny little Scottie, Darkie, and the stalwart, understanding Great Dane, Helga, whose warm, tender , and playful friendships are so comforting to me.
On that busy first day I should also view the small simple things of my home. I want to see the warm colors in the rugs under my feet, the pictures on the walls, the intimate trifles that transform a house into home. My eyes would rest respectfully on the books in raised type which I have read, but they would be more eagerly interested in the printed books which seeing people can read, for ring the long night of my life the books I have read and those which have been read to me have built themselves into a great shining lighthouse, revealing to me the deepest channels of human life and the human spirit.
In the afternoon of that first seeing day. I should take a long walk in the woods and intoxicate my eyes on the beauties of the world of Nature trying desperately to absorb in a few hours the vast splendor which is constantly unfolding itself to those who can see. On the way home from my woodland jaunt my path would lie near a farm so that I might see the patient horses ploughing in the field 9perhaps I should see only a tractor!) and the serene content of men living close to the soil. And I should pray for the glory of a colorful sunset.
When sk had fallen, I should experience the double delight of being able to see by artificial light which the genius of man has created to extend the power of his sight when Nature decrees darkness.
In the night of that first day of sight, I should not be able to sleep, so full would be my mind of the memories of the day.
The Second Day
The next day - the second day of sight - I should arise with the dawn and see the thrilling miracle by which night is transformed into day. I should behold with awe the magnificent panorama of light with which the sun awakens the sleeping earth.
This day I should devote to a hasty glimpse of the world, past and present. I should want to see the pageant of man's progress, the kaleidoscope of the ages. How can so much be compressed into one day? Through the museums, of course. Often I have visited the New York Museum of Natural History to touch with my hands many of the objects there exhibited, but I have longed to see with my eyes the condensed history of the earth and its inhabitants displayed there - animals and the races of men pictured in their native environment; gigantic carcasses of dinosaurs and mastodons which roamed the earth long before man appeared, with his tiny stature and powerful brain, to conquer the animal kingdom; realistic presentations of the processes of development in animals, in man, and in the implements which man has used to fashion for himself a secure home on this planet; and a thousand and one other aspects of natural history.
I wonder how many readers of this article have viewed this panorama of the face of living things as pictured in that inspiring museum. Many, of course, have not had the opportunity, but I am sure that many who have had the opportunity have not made use of it. there, indeed, is a place to use your eyes. You who see can spend many fruitful days there, but I with my imaginary three days of sight, could only take a hasty glimpse, and pass on.
My next stop would be the Metropolitan Museum of Art, for just as the Museum of Natural History reveals the material aspects of the world, so does the Metropolitan show the myriad facets of the human spirit. Throughout the history of humanity the urge to artistic expression has been almost as powerful as the urge for food, shelter, and procreation. And here , in the vast chambers of the Metropolitan Museum, is unfolded before me the spirit of Egypt, Greece, and Rome, as expressed in their art. I know well through my hands the sculptured gods and goddesses of the ancient Nile-land. I have felt copies of Parthenon friezes, and I have sensed the rhythmic beauty of charging Athenian warriors. Apollos and Venuses and the Winged Victory of Samothrace are friends of my finger tips. The gnarled, bearded features of Homer are dear to me, for he, too, knew blindness.
My hands have lingered upon the living marble of roman sculpture as well as that of later generations. I have passed my hands over a plaster cast of Michelangelo's inspiring and heroic Moses; I have sensed the power of Rodin; I have been awed by the devoted spirit of Gothic wood carving. These arts which can be touched have meaning for me, but even they were meant to be seen rather than felt, and I can only guess at the beauty which remains hidden from me. I can admire the simple lines of a Greek vase, but its figured decorations are lost to me.
So on this, my second day of sight, I should try to probe into the soul of man through this art. The things I knew through touch I should now see. More splendid still, the whole magnificent world of painting would be opened to me, from the Italian Primitives, with their serene religious devotion, to the Moderns, with their feverish visions. I should look deep into the canvases of Raphael, Leonardo da Vinci, Titian, Rembrandt. I should want to feast my eyes upon the warm colors of Veronese, study the mysteries of E1 Greco, catch a new vision of Nature from Corot. Oh, there is so much rich meaning and beauty in the art of the ages for you who have eyes to see!
Upon my short visit to this temple of art I should not be able to review a fraction of that great world of art which is open to you. I should be able to get only a superficial impression. Artists tell me that for deep and true appreciation of art one must ecated the eye. One must learn through experience to weigh the merits of line, of composition, of form and color. If I had eyes, how happily would I embark upon so fascinating a study! Yet I am told that, to many of you who have eyes to see, the world of art is a dark night, unexplored and unilluminated.
It would be with extreme reluctance that I should leave the Metropolitan Museum, which contains the key to beauty -- a beauty so neglected. Seeing persons, however, do not need a metropolitan to find this key to beauty. The same key lies waiting in smaller museums, and in books on the shelves of even small libraries. But naturally, in my limited time of imaginary sight, I should choose the place where the key unlocks the greatest treasures in the shortest time.
The evening of my second day of sight I should spend at a theatre or at the movies. Even now I often attend theatrical performances of all sorts, but the action of the play must be spelled into my hand by a companion. But how I should like to see with my own eyes the fascinating figure of Hamlet, or the gusty Falstaff amid colorful Elizabethan trappings! How I should like to follow each movement of the graceful Hamlet, each strut of the hearty Falstaff! And since I could see only one play, I should be confronted by a many-horned dilemma, for there are scores of plays I should want to see. You who have eyes can see any you like. How many of you, I wonder, when you gaze at a play, a movie, or any spectacle, realize and give thanks for the miracle of sight which enables you to enjoy its color , grace, and movement?
I cannot enjoy the beauty of rhythmic movement except in a sphere restricted to the touch of my hands. I can vision only dimly the grace of a Pavlowa, although I know something of the delight of rhythm, for often I can sense the beat of music as it vibrates through the floor. I can well imagine that cadenced motion must be one of the most pleasing sights in the world. I have been able to gather something of this by tracing with my fingers the lines in sculptured marble; if this static grace can be so lovely, how much more acute must be the thrill of seeing grace in motion.
One of my dearest memories is of the time when Joseph Jefferson allowed me to touch his face and hands as he went through some of the gestures and speeches of his beloved Rip Van Winkle. I was able to catch thus a meager glimpse of the world of drama, and I shall never forget the delight of that moment. But, oh, how much I must miss, and how much pleasure you seeing ones can derive from watching and hearing the interplay of speech and movement in the unfolding of a dramatic performance! If I could see only one play, I should know how to picture in my mind the action of a hundred plays which I have read or had transferred to me through the medium of the manual alphabet.
Ⅷ 動物王國的介紹
《動物王國》是索尼經典於2010年出品的一部劇情電影，影片是由大衛·米奇歐德執導，蓋·皮爾斯、詹姆斯·弗蘭切威勒和蘇利文·斯坦普萊頓等聯袂出演。影片於2010年1月22日在美國聖丹斯電影節率先上映。影片講述了一個十七歲的男孩成長在一個犯罪家庭中，而一名偵探試圖拯救他的故事1。
Ⅸ 英語電影里的經典台詞，要標明是出自於哪部電影，中英對照。
1一《Shawshank Redemption 肖申克的救贖》
.You know some birds
are not meant to be caged , their
feathers are just too bright.
你知道，有些鳥兒是註定不會被關在牢籠里的，它們的每一片羽毛都閃耀著自由的光輝。
2.There is something
inside ,that they can't get to , that they can't touch. That's
yours.
那是一種內在的東西, 他們到達不了,也無法觸及的,那是你的。
3.Hope is a good thing
and maybe the best of things. And no good thing ever dies.
希望是一個好東西,也許是最好的,好東西是不會消亡的。
二《Forrest Gump 阿甘正傳》
1.Life was like a box
of chocolates, you never know what you're gonna get.
生命就像一盒巧克力，結果往往出人意料。
2.Stupid is as stupid
does.
蠢人做蠢事，也可理解為傻人有傻福。
3.Miracles happen
every day.
奇跡每天都在發生。
4.Jenny and I was like
peas豌豆 and
carrots 胡蘿卜.
我和珍妮形影不離。
5.Have you given any
thought to your future?
你有沒有為將來打算過呢。
6． You just stay away
from me please.
求你離開我。
7． If you are ever in
trouble, don't try to be brave, just run, just run away.
你若遇上麻煩，不要逞強，你就跑，遠遠跑開。
8． It made me look like
a ckn.鴨，鴨肉 v.忽地低下頭(或彎腰)，躲避
in water.
它讓我如魚得水。
9． Death is just a part
of life, something we're all destined to do.
死亡是生命的一部分，是我們註定要做的一件事。
10． I was messedn.臟亂狀態；困境 vt.弄糟，弄臟，搞亂
up for a long time.
這些年我一塌糊塗。
11． I don't know if we
each have a destiny, or if we're all just floating around accidentally―like on
a breeze.
我不懂我們是否有著各自的命運，還是只是到處隨風飄盪
三《The Lion King獅子王》
1. Everything you see
exists together in a delicate 易碎的；微妙的；嬌弱的；精美的balance.
世界上所有的生命都在微妙的平衡中生存。
2. I laugh in the face
of danger.
越危險就越合我心意。
3. I'm only brave when
I have to be. Being brave doesn't mean you go looking for trouble.
我只是在必要的時候才會勇敢，勇敢並不代表你要到處闖禍。
4. When the
world turns its back on you, you turn your back on the world.
如果這個世界對你不理不睬，你也可以這樣對待它。
5. It's like you are
back from the dead.
好像你是死而復生似的。
6. You can't change
the past.
過去的事是不可以改變的。
7. Yes, the past can
hurt. But I think you can either run from it or learn from it. 對，過去是痛楚的，但我認為你要麼可以逃避，要麼可以向它學習。
8. This is my kingdom.
If I don't fight for it, who will?
這是我的國土，我不為她而戰斗，誰為呢？
9. Why should I
believe you? Everything you ever told me was a lie.
我為何要相信你？你所說的一切都是謊話。
10. I'll make it
up to you, I promise.
我會補償你的，我保證。
四《Gone with The Wind 亂世佳人》
1.Land is the only
thing in the world worth working for, worth fighting for, worth dying for.
Because it's the only thing that lasts.
土地是世界上唯一值得你去為之工作, 為之戰斗, 為之犧牲的東西,因為它是唯一永恆的東西。
2.I wish I could be
more like you.
我要像你一樣就好了。
3.Whatever
comes, I'll love you, just as I do now. Until I die.
無論發生什麼事,我都會像現在一樣愛你,直到永遠
4.I think it's hard
winning a war with words.我認為紙上談兵沒什麼作用。
5. Sir, you're no
gentleman. And you miss are no lady.
先生,你可真不是個君子,小姐,你也不是什麼淑女。
6.I never give
anything without expecting something in return. I always get paid.
我做任何事不過是為了有所回報,我總要得到報酬。
7.In spite of
you and me and the whole silly a.傻的，糊塗的
world going to pieces around us, I love you.
哪怕是世界末日我都會愛著你。
8.I love you more than
I've ever loved any woman. And I've waited longer for you than I've waited for
any woman.
此句只可意會不可言傳。。。。。
9.If I have to lie,
steal, cheat or kill, as God as my witness, I'll never be hungry again!
即使讓我撒謊,去偷,去騙,去殺人,上帝作證,我再也不要挨餓了。
10.Now I find myself
in a world which for me is worse than death. A world in which there is no place
for me.
現在我發現自己活在一個比死還要痛苦的世界,一個無我容身之處的世界。
11.You're throwing
away happiness with both hands. And reaching out for something that will never
make you happy.
你把自己的幸福拱手相讓,去追求一些根本不會讓你幸福的東西。
12.Home. I'll go home.
And I'll think of some way to get him back. After all, tomorrow is another day.
家,我要回家.我要想辦法讓他回來.不管怎樣,明天又是全新的一天。
五《TITANIC泰坦尼克號》
1.Outwardly, I was
everything a well-brought up girl should be. Inside, I was screaming.
外表看,我是個教養良好的小姐,骨子裡,我很反叛.
2.We're the
luckiest sons-of-bitches in the world.
我們是真他媽的走運極了.(地道的美國國罵)
3.There is nothing I
couldn't give you, there is nothing I would deny you, if you would not deny me.
Open you're heart to me.
如果你不違背我,你要什麼我就能給你什麼,你要什麼都可以.把你 的心交給我吧.
4.What the purpose of
university is to find a suitable husband.
讀大學的目的是找一個好丈夫.(好像有些片面,但比較真實)
5.Remember, they love
money, so just pretend like you own a goldmine and you're in the club.
只要你裝得很有錢的樣子他們就會跟你套近乎。
6.All life is a game
of luck.
生活本來就全靠運氣。
7.I love waking up in
the morning and not knowing what's going to happen, or who I'm going to meet,
where I'm going to wind up.
我喜歡早上起來時一切都是未知的,不知會遇見什麼人,會有什麼樣的結局。
8.I figure life is a
gift and I don't intend on wasting it. You never know what hand you're going to
get dealt next. You learn to take life as it comes at you. 我覺得生命是一份禮物,我不想浪費它,你不會知道下一手牌會是什麼,要學會接受生活。
9.To make each day
count.
要讓每一天都有所值。
10.We're women. Our
choices are never easy.
我們是女人,我們的選擇從來就不易。
11.You jump, I jump.
(another touching
sentence)
12.Will you give us a
chance to live?
能不能給我們留一條生路?
13.God shall
wipe away all the tears from their eyes, and there shall be no more death.
Neither shall there be sorrow or dying, neither shall there be any more pain,
for the former world has passed away.
上帝擦去他們所有的眼淚.死亡不再有,也不再有悲傷和生死離別,不再有痛苦,因往事已矣.
六《Sleepless in Seattle西雅圖不眠夜》
1.Work hard! Work will
save you. Work is the only thing that will see you through this.
努力工作吧!工作能拯救你.埋頭苦幹可令你忘記痛楚.
2.You make millions of
decisions that mean nothing and then one day your order takes out and it
changes your life.
你每天都在做很多看起來毫無意義的決定,但某天你的某個決定就能改變你的一生.
3.Destiny takes a
hand.命中註定.
4.You know, you
can tell a lot from a person's voice.
從一個人的聲音可以知道他是怎樣的人.
5.People who truly
loved once are far more likely to love again.
真愛過的人很難再戀愛.
6.You know it's easier
to get killed by a terrorist than get married over the age of 40.
你知道,女人過了40想出嫁就難了,被恐怖分子殺死都比這容易.
7.You are the most
attractive man I ever laid ears.
你是我聽過的最帥的男士.
8.Why would you
want to be with someone who doesn't love you?
為什麼留戀一個不愛你的人?
9.When you're
attracted to someone it just means that your subconscious is attracted to their
subconscious, subconsciously. So what we think of as fate, is just two neuroses
knowing they're a perfect match.
當你被某個人吸引時,那隻是意味著你倆在潛意識里相互吸引.因此,所謂命運,就只不過是兩個瘋子認為他們自己是天造一對,地設一雙.
10.Everybody panics
before they get married.每個人婚前都會緊張的.
11.Your destiny can be
your doom.命運也許會成為厄運.
12.The reason I
know this and you don't is because I'm younger and pure. So I'm more in touch
with cosmic forces.
之所以我知道而你不知道是因為我年幼純潔,所以我比較能接觸宇宙的力量.
13.I don't want to be
someone that you're settling for. I don't want to be someone that anyone
settles for.
我不想要你將就,我也不想成為將就的對象.
14.What if something
had happened to you? What if I couldn't get to you? What would I have done
without you? You're my family. You're all I've got.
要是你出了事怎麼辦?要是我找不到你怎麼辦?如果沒有你我該怎麼辦?你是我的家人,你是我的一切.
七《GARFIELD加菲貓》
1. Money is not
everything. There's MasterCard.
鈔票不是萬能的, 有時還需要信用卡。
2. One should love
animals. They are so tasty.
每個人都應該熱愛動物, 因為它們很好吃。
3. Save water. Shower
with your girlfriend.
要節約用水, 盡量和女友一起洗澡。
4. Love the
neighbor. But don't get caught.
要用心去愛你的鄰居, 不過不要讓她的老公知道。
5. Behind every
successful man, there is a man. And behind every unsuccessful man, there are
two.
每個成功男人的背後, 都有一個女人. 每個不成功男人的背後, 都有兩個。
6. Every man
should marry. After all, happiness is not the only thing in life.<br/>再快樂的單身漢遲早也會結婚, 幸福不是永久的嘛。
7. The wise never
marry, and when they marry they become otherwise.
聰明人都是未婚? 結婚的人很難再聰明起來。
8. Success is a
relative term. It brings so many relatives.
成功是一個相關名詞, 他會給你帶來很多不相關的親戚 (聯系)
9. Love is photogenic.
It needs darkness to develop.
愛情就象照片, 需要大量的暗房時間來培養。
10. Children in
backseats cause accidents. Accidents in backseats cause children.
後排座位上的小孩會生出意外, 後排座位上的意外會生出小孩。
11. Your future
depends on your dreams. So go to sleep.
現在的夢想決定著你的將來, 所以還是再睡一會吧
12. There should
be a better way to start a day than waking up every morning.
應該有更好的方式開始新一天, 而不是千篇一律的在每個上午都醒來。
13. Hard work never
killed anybody. But why take the risk?
努力工作不會導致死亡! 不過我不會用自己去證明。
14. Work
fascinates me. I can look at it for hours!
工作好有意思耶! 尤其是看著別人工作。
15. God made
relatives; Thank God we can choose our friends.
神決定了誰是你的親戚, 幸運的是在選擇朋友方面他給了你留了餘地